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Choose the Dimension Pro Element you want to load the track into, then right‑click on its Element‑select button. Select all clips, then go Edit > Bounce to Clip(s).
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Doing this makes an easily‑defined start point. If the first clip doesn't start at the beginning of the project, extend its beginning (click the clip's left edge, and drag to the left). If the audio track you want to process consists of multiple clips, first bounce them together into a single track. To process a Sonar track with Dimension Pro's facilities, proceed as follows:ġ. I've yet to find a limit to how big a file it can accept. Dimension Pro's oscillator can accept long WAV or AIFF files, even entire tracks, and the files can be mono or stereo. Using The Internal Audio Inputīut, you may be saying, Dimension Pro has no audio input - and you're quite right, which is too bad, because the synth's LoFi, Filter, and Drive effects are just begging to abuse some unsuspecting waveform. On the other hand, its CPU efficiency is excellent, so opening up multiple instances is generally not a problem. It has four 'Elements', which can be split and layered, and although it's multitimbral, it's only four‑part multitimbral, so it's not exactly a 16‑channel 'workstation' like IK's SampleTank or NI's Kontakt. Now the full version comes as standard with Sonar 8, which not only adds value to the Sonar package, but will surely introduce a new group of users to this very useful instrument.ĭimension Pro is basically a sample‑playback engine with a decent amount of synthesis flexibility. The numbers superimposed on the screen shot correspond to the steps listed below.ĭimension Pro was Cakewalk's first instrument made for the Mac as well as Windows, and the first instrument to be available separately, and not just bundled with other Cakewalk products. You can point Dimension Pro to a different Multisamples folder using the registry.
#Cakewalk dimension pro tutorial how to#
Now that Dimension Pro is included with Sonar 8, it's time to investigate how to exploit it beyond the usual sample‑playback functions.